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A broken screen with bright block colours almost like a chaotic web. There is also black liquid on top.
C is a white person with short, peach coloured hair with a shaved undercut. They are shot against a background with a rainbow mural, smiling at the camera.
Person walking through installation made of bioplastics
A minimalist, flat design of a woman made out of vague shapes of baby blue and pink clothes and midnight blue hair on a dark reddish-orange background.
Detail of mixed media work on canvas in muted tones, incorporating reflected linear shapes and text elements.
A shiny lilac taffeta (a type of fabric) soft shelled sculpture is draped on top of three mossy small rocks sticking out of a heathery patch on the side of Craig Owl Hill. The soft shelled sculpture is in the shape of a large rectangle, roughly 1.5 meters wide x 3 meters long, the fabric is stuffed and sewn into to make it look like a sleeping bag. The way the soft shelled sculpture lies across the rocks makes it look like an abandoned parachute or sleeping bag. The picture is taken during a Scottish winter sun set and the sky glows a deep purple/blue
A watercolour and mixed media painting. A figure wreathed in floral shapes poses with closed eyes against a dark sky. Blue ink patterns decorate their skin.
Oil painting of a jellyfish, with a translucent body on a deep red background
Colourful collage of many magazine cuttings focusing on women, madness and society.
an embroidered sculpture of a venus fly trap, but with an eye where the fly trap would be
Upper body image of Len Lukowski. Len is wearing black shirt stood outside gates of cemetery, with evening sun on his face and. Foliage and stone visible in background.
Ali Robertson, a white man with curly brown hair and glasses, sits at a table playing an array of found objects as musical instruments, including a head massager, a trumpet mute, a metal ball, some springs, a bell, a miniature toy kettle, a hand whisk, and more. A microphone is positioned above him, pointed at the table, while he holds an empty pill blister packet between his lips.
A large room with a wallpapered image of a rock face on one of the walls. Bean bags sit in the middle of the room surrounded by 4 speakers, on the far wall is some supporting print materials about the work.
A poem called creating recovery overlaid onto a background watercolour pen and wash image of a hyainth bulb in a glass jar.
View through window pane into an exhibition space, with a distorted view of a sculpture made of earth, stones and grass.
A detail of an oil painting that shows a woman (the artist) in front of a piano. One hand holds a paintbrush.
A photo taken from the artist's POV, looking down at paintings on the floor, through paintbrushes held in the left hand. There is an easel peeking into shot. The paintings are of an anonymous woman's body, pulling at non-existent bits of fat.
A man wearing a baseball cap speaks into a microphone. He is standing behind a DJ desk with a projection of mushrooms behind him in fluorescent colours.
A still of an orangey red sand dessert dune sits in the bottom left corner of the screen with clear blue soup peaking out to the top left corner framed on a white background. The image is designed to be viewed like from a phone screen.
A photo collage of a young black woman taking a selfie in front of an astronaut and space. Collaged onto the space are eyes and mouths cut from a magazine.
A anthropomorphised blue squid in a regency dress, she half in a pond surrounded by lily pads, sensually unbuttoning the shirt on a anthropomorphised green frog at the edge of said pond, he holds her close, passion in-between their locked gazes as the orange light of sunset washes over them.At the top of the image reads: Red sky at night, sailors delight.Lower centre of the image in large font reads: SQUOG.Bellow Squad at the bottom centre of the image reads: Short film by Alistair Murphy.
Wall hanging/rug in the shape of a cows hide, made out of different coloured yarns, in skin tones ranging from Dark brown to light cream, warm tan and pinks. Each colour takes a natural shape, resembling different prints from many animals. There are crocheted teats(from cows udders) hanging from the tapestry in the same colours. This piece was made from punch needling techniques, crochet and embroidery.
A white gallery wall of knitted hats hanging loosely, each a different pride flag. Three are on black stands on a table beneath the others, the rainbow flag, simplified lesbian and simplified gay men pride flags. Small pride flag stickers are also laid out on the table, the colours are not very discernable from the distance the picture was taken. Work from other artists is also visible on the wall and table.
Elspeth Wilson is a white person with long dark blonde hair. They have yellow earrings on and a black jumper and are against a dark grey background. They are smiling and turning to look at the camera.
Photo of the inside of a brightly-coloured embroidered umbrella. There is a sun in the centre and rays of light shining outwards. There is embroidered text with words such as relief, powerful, gratitude and reassurance.
A collage of a women's face and body parts from magazines. The colours are bright pink and pale skin tones.
Juju the frog to entertain children (a woman dressed as a frong at an early years and primary school sport day)
"Person looking into the camera with a red fabric draped around them. The fabric extends to either sides as if binding the dancer and restricting them. Still from the productions “What Draupadi Said to Penelopy” - by Dr Agomoni Ganguli Mitra
Dark green night skies over a sea and beach lit up by city lights in the distance and a lighthouse closer by
A delicate watercolour painting of small yellow flowers on white paper.
Screenshot from the animation "Lost Voices of Partition", a collaboration with Northumbria University and Glasgow Women's Library. Three Pakistani women from different generations stare defiantly into camera as hundreds of women stand in shadow behind them. There are laurels from various film festivals present.
Four images within a square. Top left: A textile handmade crow with large button eyes and embroidered wings. Top right: An image of the artist, Nicolpops - a white woman with black shaggy hair with arms covered in tattoos. Bottom left: A painting of two spooky looking pumpkins with a floral background. Bottom right: a block of lino with a crow carved design. The lino cutting tools and lino carve cuttings can be seen surrounding the block.
A hand painted wall mural for Refuweegee Charity’s office in Glasgow West End. The large wall is dark purple with lots of leaves and foliage painted over it in greens, blues, pinks and yellows to create a patterned backdrop.
A 4x6 inch printed photograph from 35mm film of a passing place, a diamond-shaped white sign with the words PASSING PLACE. The sky is cloudy and there is a phone line going overhead.
A white, male presenting figure in a train station, wearing glasses and a pink t-shirt.
A black & white image of a beach during a cloudy day. There is a silhouette of a person in the foreground, and there’s a wooden tide measure in the background.
Beginning of a short story, Moma, Don't Take My Kodachrome Away), published in Southlight 33, Spring 2023
Abstract, colourful drawing made with ink, felt tip pens and coloured pencils.
Black & White portrade headshot tilted left with eyes looking into camera with the printed words See, Hear, Speak each physically stuck to forehead, over right ear and held between her teeth in this order.
A close up of four of the artists' fingers, short dirty nails and all, as bright light from behind them passes through skin, bone and blood rendering them as orange as a sunset.
A close up image of a small beaded sculpture. It features curved natural shapes and bright colours on a sheer fabric background.
A man puts a long piece of wood into a kiln. He is wearing a grey hoody and cap and red gloves.
A very close up image shows a black wax crayon with shards of broken reflective glass sticking out.
A square image of four urban sketches of Edinburgh: top left Balmoral Clock; top right Tron Kirk; bottom left the Mound and bottom right the Writer's Museum.
Four small, hand carved wooden sculptures arranged on a plinth. One of them has a glowing orange cross on it.
A photo of a video camera display screen with grid lines, pointed at a seated person. The person has shoulder-length purple hair and is looking off to the side. They are wearing a white t-shirt with the text 'Strange', and a yellow cardigan with smiley faces and plaid patterns.
Person sitting in recording studio playing a guitar.
Cathy Phillips Brady, a girl with curly brown hair singing with a folder at BBC Radio Theatre in December 2022
Silvery grey, organic bead woven necklace and cuff bracelet with elements of fair isle and beaded seaurchins
A double exposure cyanotype made from a photograph of the Arctic Circle. The picture has a graduated blue background, with a print over the top of the woodent Tallship' Antigua among sea ice.
A blue and white crocheted square tapestry that reads “Slàinte Mhath”. The corners of the tapestry each have a Scotland flag. A Celtic braid follows the boarders of the square to connect each flag.
A large oil painting of a five-pound banknote centred in the middle with imagery from the Aberfan Disaster sandwiching it from the top and bottom.
collage drawing of boy with goofy teeth and big starey eyes with the words Namaste the day eh!
A hand holding a paintbrush is poised over a piece of paper with Japanese calligraphy on it. The background shows a red tablecloth.
A self-portrait head study drawing of Julia Laing created with layers of pink paint, black pencil and coloured pastels. The subject is looking directly at the viewer.
Image is of a uniquely decorated fireplace made out of cardboard, with eyes, a nose, and teeth
A highlands landscape made of monoprint and collage sits inside a circle with a blue backround. The words uniquely abbie written in the same style of as the collage paper.
The artist sits on the floor of her studio next to a rail of clothes and a colourful painting.
Black and white photo of a performance, taking place in what looks like a concrete pit. One man is kneeling, clinging to another (standing) man, who also seems to have another performer tucked behind them
A flash photo of a party, candles and glasses of wine on the table. A man sits looking to the left while another person’s arm stretches in front of him into middle frame holding a cigarette.
The artist, dressed up as a green-headed monster, standing in the middle of an urban setting in Poland.
An oil painting of a pink sunrise at Portobello beach.
A non binary person with pink and brown hair kneeling in front of a fallen cherry blossom tree. The scene is very pink and the person is dressed in punk clothing
A Sindy Doll, made up and posed in a glamorous way. The photograph has a vintage style filter.
Mobile installation with 5 hanging love poems made for ' Journey at the centre of Amor' community arts exhibition at @Monobar Glasgow. Exhibition running from 2nd of February till 2nd of March.
Some lines from Life Goes On, my WIP novel.
Black man, wearing glasses, smiling, in plaid shirt, against white backdrop.
Cyanotype prints on 5 planes of glass, in a row, depicting different emotions and the process of masking on a wooden stand.
On the left, there is a brightly colored and decorated cardboard box. Black shoes appeared to be coming out underneath the box. On the right, there is the white text 'There are things that feel scary when you are alone'. The image is set in a forest.
A closely-cropped image of a person's feet and shins in an allotment. They are wearing black and white Addidas Samba trainers and white crew socks, and standing next to a pile of fresh green leaves, placed directly on the soil for composting. The leaves take up half of the image, cutting across it diagonally. The image has soft colours and a slight grain, typical of 35mm film photography.
A white man wearing a grey t-short is smiling and holding a textile sculpture of a bright green cactus with pink fruits.
A short-haired person sitting on a chair on a field of grass in the hills. Their right arm is extended and they are looking at their right hand slightly suspiciously.
The image shows a hexagonal set of coasters made from recycled plastic waste. The coasters are vibrant blue, with swirling, marbled patterns giving them a distinctive and artistic look. They are neatly packaged with a brown cardboard sleeve, featuring clean, modern typography.
Screenprint in two halves. On the left, are red fish. the word salmon has been corssed out, and instead other regional names are listed with a tick against them. On the right, the word wife is crossed out, and instead regional words are listed with ticks against them. There is a picture of a fishwife next to the text.
A muted pink circle on circular white paper. Inside the pink circle there are abstract lines, as if looking at a petri dish through a microscope.
A black ink lino print of two interlocked, heart shaped carabiners.
A Black woman with curly short cropped hair, wearing a blue denim dress smiling against a sun lit white background with a shadow cast in the background
A colourful watercolour painting of a young white woman with red hair, holding various pet chickens. Her expression is pensive.
4 photos set in a square. Overall feel is low key with shades of brown, gray, black and pale brown. Occaisional flashes of yellow, blue and green. 1. Distorted image of a cat sitting behind a frosted glass window. 2. Shadows and light falling on a wall papered with 1980's style embossed wallpaper in shades of light and dark brown. 3.Flashes of light from sequins, looking like a shoal of fish swimming at speed. 4. Dead moth lying on its back on a shed windowsill. Lots of pale papery textures.
A logo design consisting of a black squiggly line within a yellow shape on a white background.
A still from my upcoming short film "Your Ass is Mine."It features two people sitting on the floor against a wall. On the wall is a pair od plaster cast buttocks. The man is looking up at them and the woman is looking out smiling.
Self-portrait of Alasdair, standing on a beach at sunset holding a vintage TLR camera. Photos shot on 35mm film with Lomo LCA camera.
A cream piece of fabric which has lots of folds in it, with high contrast revealing the shadows and depth in each fold.
Photo presents white and beige woodfired cup on the black background. The coffee foam is dripping over the rim of the mug all the way down.
Image shows a collection of tapestry weavings, 6 in total, in a collage like format. The works depict scenes of fires through shilouetted boundaries, such as windows and keyholes. As well as scenes of digital storms and fire, with small figures in silhouette featured falling throughout.
The artist, a young white woman, is crouched outside in front of a wall of graffiti and is wearing a leopard print jacket.
An abstract form depicting natural and organic patterning, simultaneously expanding and contracting, viewable at microscopic and cosmic scales. Fineliner on A3 canvas.
A white woman with long wavy brown hair sitting crossed-legged outside, with a pencil and sketchbook on her lap. It is Autumn, and she wears jeans, a thick green coat and a grey woolly hat.
Hannah stands in front of a red wall, dressed in black and holding a bouquet of eucalyptus. Behind her head on the red wall is a sign reading ‘Soil And Sand Say Stay - exhibition August 2025’
A composite of 5 digital drawings of medieval monuments wrapped in Christmas lights
Photo of Eilidh. She has brown hair, a blue top and is playing the fiddle on stage at a concert.
Photograph of a map behind leaves. Risograph print folded with scent bottle inset on card. Details of a street and community garden on the front.
a black and white illustration on fungi and their mycelium underground
A person in a red dressing gown with curlers in their hair is facing the camera and pointing to a person standing on their right, who is wearing dark overalls and has their back to the camera. There is a graphic design on the back of their overalls.
Logo for Nyastic Representing myself. A Hijabi with Glasses.
A piece of land art, taken from above. Two trellis-like shapes are laid on the grass, in a garden. There is a circular flowerbed at the top of the frame that has 4 pieces of paper lying in it. The shadow of a tree almost obscures one of the trellis shapes.
An image of a mixed media piece in watercolours, ink and botanic pigments, with pencil marks and metallic touches. The image is taken on a slant to show textures and details of the work.
An image still from a short film combining live-action and animation. Two animated characters are standing in front of each other. One is a human-size sunflower, another a rabbit creature. A photographic image of Pentland hills in the background.
Lesley, a slim built, tall woman with short grey-black hair, wearing glasses sits behind two keyboards on a double stand. She is playing the lower keyboard.
Two witch bottles, one smaller and one larger and more round, in a garden setting. Ivy covers the background. The bottles are ceramic earthenware, with a base colour of warm brown and, on top, a forest green drip. Each bottle has a frowning face near the neck.
sculpture with two cut-out arms hung with a T-shirt printed with a torso
Black and red illustrative graphic design based on the tam o shanta poem, the art features a hoard of witch’s chasing a horse over a bridge with the text “so maggie runs,the witch’s follow, wi’mony an eldrich skreech and hollow!”
Photo of a group of people sitting on the floor in a room full of bright floor mats, and cardboard structures they've built.
Cyanotype of potato pickers, created from a digital negative of a Caffinol developed 120 film image.
Three handmade ceramic cups sitting on a dark wood surface. The cups are illustrated in black and white with celestial, elemental and nature motifs.
A framed drawing full of lines that make the shape of a weaving, with words interspersed. Drawing is black and grey colours. Frame is black.
A mixed media expressive painting depicting a flower girl with a tiara. The imagine is mainly drawn with areas of thin paint. There is no background and the image only shows her head and shoulders.
The image shows Narcisse Empoté-Ose caught in a moving plank on stage. He is wearing white pijamas, jogger style, and blue fake Crocs. His face has traditional drag king makeup (beard and moustache) and Narcisse's expression is showing effort. The light is stage light, very red and bright. On the floor around Narcisse, there are period product boxes.
parcel label with painting of landscape on a collage of map.
Charcoal drawing of a naked woman, sitting thoughtfully with her head on her hand.
text "glow"on fire in woodlands
Photograph of a magazine with illustrated cover of a white character with big nose standing in tall grass. They wear a tower of multicoloured hats stacked atop their head. A worm threads it's way between the hats. The characters hold a very long bendy paintbrush and a long grabber, rearranging and painting the letters above that read "COUNTERPOINT". Multicoloured striped wallpaper is behind them.
Digital illustration of a young woman with long black hair and grey-blueskin.
The artist - a white trans masc person with short bleached blonde hair - sits on a gallery floor surrounded by text-based paintings. Various words can be made out like “miss you” and “heartbreak”.
A film photograph of a bathroom sink cluttered with a toothbrush, toothpaste, lipstick, jewellery, a perfume bottle and a comb.
Abstract image of very dark blue and a lighter blue with splatter marks.
A young woman sits on a balck floor by a wooden chair, you can only see her legs, she is wearing football shorts, white socks and black shoes.
A digital drawing of a person from behind. The person has black hair and is wearing dark clothes and the background is dark. There are colourful lines and shapes expanding outwards from the person's head.
Two humanoid shapes in warm coats with scarves and wooly hats are sat on the right side of a walkway lined with autumn trees on a wooden and iron park bench. They appear to be happily mid conversation as if two old friends meeting up.
A sleeveless denim jacket covered in badges is hanging from the ceiling. Knitted sleeves have been added to the jacket and are much longer than the jacket itself. The knitting is in brown wool and has random cables designs covering it.
Screen print of vivid blue, pink, orange, teal and grey using squiggles and mark making, based on psychoanalyst Winnicott’s Squiggle Theory.
A portrait photograph of a woman smiling wearing a fuzzy grey jumper and a black polo neck.
Close-up view of textured and colourful paper layers with lots of varying textures.
A short woman with curly hair, wearing a red boilersuit holds a placard that says I CARE
The artist sits on the floor with three children. They are working on a project, there are pens and paper on the floor in front of them.
Pictured is a piece of square clayboard, painted in different shades of peach and pink. There are scratches across all the work, with text written in pencil. Some of the paint slightly covers the text. In the top right corner is a robot-looking spider, drawn in dark graphite. The text reads "I can't describe what it felt like it was excruciating yet I felt numb My heart screamed in pain yet there was complete silence I can't quite put it into words but I know this I died, and yet I live"
A digital collage of overlaid images, including a pine forest, a periodic table, two crane birds and a pangolin. The colours are soft and the images are semi-transparent.
A photo of what might be a huge craggy rock in a landcape, or alternatively a close-up of a grain of rock or sand, in greys and pale pink.
An abstract painting, black patterns on a white background. The black lines vary in thickness. There are three coloured circles in the painting, one yellow, one red and one orange.
A collection of metalwork sculptures, surrounded by black sand trailing across the floor, with a central hanging piece of thin rod around which a person walks.
Cat Cochrane performs at the Scottish National Poetry Slam Championship at the Panopticon in Glasgow on Feb 14. Cat stands at the mic looking out to the audience. Cat has red hair and is wearing a grey jumper.
A portrait photo of a female with long blond hair wearing dark framed round glasses.
A photo of a young white woman, crouched inside a brown box. The photo is taken from below, and her face is partially obscured by her hair falling over it.
An image of an ear, taken close up, so that it almost becomes abstract
Head and shoulders portrait of the artist, with hands slightly blurred and cropped, holding tools at a work bench.
Image of a naked female form hidden behind a red velvet curtain with the shadow of a male figure across the picture.
with soldered detailing and three dots on the metal. it is attached to green seaglass and has three sets of three small green beads at the bottom.
A selection of images of my work, including props from an interactive storytelling session, crafts created with children, a rabbit puppet and a collage.
"Eliza stands in the foreground of the image, blond curly hair tied up with a clip. She is wearing a dark green jacket, and a pair of thin silver frames glasses. Eliza is reading from a small publication with a microphone to her mouth. She stands underneath an outside gazebo with a few green wall plants in the background. "
Image shows Lauren Herd smiling and about to laugh, in a red coat and colourful scarf and hat standing against a rainbow rug-like textile background .
Black-and-white photo of a patterned paper house against a matching patterned background, with a tiny vintage photo of a person in front.
street film shoot with residential building and busy road behind two actors on the pavement while artist crouches holding camera
A dramatically-lit photo of Tom, a young white man wearing a white t-shirt, standing in front of a microphone, speaking animatedly.
A portrait photo of the artist, a young white woman, sitting pensively in front of a painting of a wave.
A clay model, decorated in acrylic paint and glazed, of a bag of Sports Direct branded pens with one model lying in front of the bag.
Picture of a woman with long brown hair, wearing a green and white top.
The poet sits in a hotel room, facing away from the camera, writing his diary.
A blue rectangular lanyard for Light The Blue festival 2024 with the designation of Artist. It has a yellow lightening flash across it and text that says 'For Young People, By Young People'.
Dark corridor, bricked up at the end and the walls also brick and crumbling plaster. It is dramatically lit from the right, revealing tangled branches protruding through the brickwork.
A magenta book nestles against a tri-directional wooden Pennine Way sign, with grassland, crags and blue sky in the background
An image of Ivor performing in The Making of Pinocchio. They are a white trans man with a short gingery beard. They wear a cap and tracksuit that has a fake wood pattern, and has wooden blocks sticking out of it at the nipples, shoulder and groin. Ivor is holding two wooden objects made of wooden dowels and blocks and he has a little microphone on his face.
Image of eco-printed fabric pincushion with hand stitched map and copper foil compass rose embellishment within a zinc and glass box. Sitting on a wooden table with another box behind it with a different pincushion inside. Marram grass plants growing through the table surface.
Wall covered in asemic writing, both gray and black. Large layered painting in greens and pinks. Abstract painted, hand sewn jacket on mannequin and three small paintings on top of a plinth also covered in asemic writing.
An abstract terracotta object standing on the chest of a dancer in a blue jumpsuit who is back bending whilst reaching her crossed arms towards the object that is resting on her chest
A white wall with a canvas hanging on metal rods suspended from the ceiling The canvas features a painting with a blue background, a pink pig in the background and yellow spider plants.
Sculpture of enlarged love heart sweets with custom quotes on pink foil.
A white woman with dark hair wearing a pink cap and a navy jumper.
A woman with short blonde hair is lit by warm sunlight and striped shadows, looking upward with a calm expression.
A person smiling in an art studio. They are wearing glasses and a pink t-shirt and there are shelves behind them.
PLAY_ZONE (2018) An interactive glass installation that can played like an instrument. The colours on a round console are assigned to the colours in the 9 sourronding modular lamps as well as a specific (digitally generated) sounds. It requires audience participation.
An oil painting of two vessels, a dried orange, and a black model of a horse. It is dramatically lit and looks like something from the Florentine school
A small white dog and a figure stand on a rocky beach, you can only see the figure's legs and shoes. They both look at a rock with a sad expression and limpets for eyes.
Three ceramic pieces of different shapes and heights have wool pouring out of spouts or holes cut into the walls of the vessels. The pieces are a mixture of pinks and blues.
A hand stroking a textured surface lit in deep red. The surface is covered in what appears a furry texture.
Four 7.5cm thick slices of naturally textured and waxed hardwood timber set within a painted frame and base, like layers of rock within a proscenium arch.There is also a separate wood block on which is a metal plate with etched words.
A woman with pale, white, freckled skin, and long, vibrant red, wavy hair, is smiling at the camera. She's wearing round blue glasses, a cobalt blue top with pink and yellow rockets and planets on it and a brown faux leather jacket. She has blue eyes, and is sitting on a balcony with blurred hills in the distance.
An illustration of the children's nursery rhyme "Tom, Tom, the Piper's Son", showing a scared looking small boy riding on the back of an Oxford Sandy and Black pig (orange with black spots). There are various pastries and a pipe around the text.
A picture of a drag artist on stage. They are on their knees wearing pants and a bra and have their mouth open as if singing. The stage lighting is red.
A still from a bright-pink-hued film, close up on a white-skinned hand covered in salt
A man walks across a stage playing a guitar.
A piece of installation theatre, the space is in a bright orange box. Two actors sit on an orange podium surrounded by fractured light and audience surround in the shadows.
Nikhita stands in nature, before a river, holding a pose commonly seen in Odissi dance
The image shows a table covered in a floral table cloth with art materials, books and leaves strewn across it. On top, there are a pair of adult's hands and a pair of children's hands decorating a large pressed leaf to look like a fox.
Two printed textiles hang from a green cord across a gallery space. One is black and white sketchy marks the other green and pink abstract brush marks. Sunlight comes through a window to land on the work.
This figurative portrait captures my brother with a focus on emotional presence. The palette is sombre, using deep tones to explore depth, light, and shadow, creating a contemplative, intimate atmosphere. Brushstrokes and texture are integral to the work, allowing the surface itself to convey movement, feeling, and the nuances of expression. Through careful layering and tonal shifts, the painting evokes vulnerability and introspection, highlighting both the physical form and the psychological resonance of the figure. The interplay of light and shadow not only models the features but also mirrors the emotional complexity of the subject, inviting the viewer into a reflective, immersive experience. Each stroke is deliberate yet intuitive, letting the painting breathe while preserving a raw sense of immediacy and feeling
Two side-by-side alcohol ink marker portraits on an A5 page depicting parrotlets. The left portrait is a full-body pose of a blue parrotlet clinging to a branch with a background in shades of green. The right portrait is a close up of two parrotlets' faces snuggled close— one blue, one green, against a mustard yellow background
chubby tattooed figure dressed in a pink bobble hat balaclava head covering and a striped sleeveless top sitting upon a toilet holding a seemingly headless baby doll with teeth sewn into its torso between their legs, upon a background of a research paper and handwritten notes
A zine entitled ‘Decolonising The Outdoors’ against a background of various prints from the artist’s series, Queer Ecologies.
The face of a bee-witch shows the moment it releases its power. Their hair flies accordingly with the direction of the energy which ends up spreading all around them into an space-like background
A photo of Lydia, who has black hair with a blonde streak and is standing in the centre of the image, holding a professional camera. She is standing in front of a white backdrop and there is photographic lighting equipment behind her.
A person dancing on the beach wearing a black jacket and purple trousers.
Amy posing infront of a wall mural that says "Gie It Laldy"
Print + Press logo Green courier new font on black circle
This is a digital self portrait inspired by visual phenomena experienced during mirror gazing experiments. Image of a white face emerging from a black background. The features are distorted only one eye and the nose completely visible.
A painting in ink and charcoal. Several intersecting and merging organic shapes in different shades of green, blue and yellow ink. Thin hand drawn lines of white charcoal mimic the striations of rock and a flash of bright yellow edges one of the shapes.
wooden model of a house with broken furniture spilling out
A small sculptural chair made with locally sourced timber, branch wood, and recycled copper. Both the chair and the leaf are made using traditional hand tools, and techniques.
Image shows abstract shape in black ink with multiple fine marks interrupting the surface and large sections of white paper left blank.
Green, enamelled, oval pendant with fireweed pressed into the surface on a dark grey multi-link chain arranged in a circle on a wooden surface
A white woman weaving a tapestry on a table loom.
Amanda Lynch standing in the far right of the image with dark shoulder-length hair, glasses, black sweatshirt with white band. Behind figure and to the left are art works, Money money money mixed media work, pay day skint day mixed media art work. Mirror propped on wall bottom left, with cement cast of feet at the bottom
Photo of an exhibition. There is a sculpture on a plinth in the foreground, it looks like a very large ball of rubber bands. In the background there is a colourful textile piece hanging on the wall next to a white canvas with black markings.
A white woman with dark hair, crouching down and holding a camera.
"A plus-size white person with short green hair is lying naked face down on a patterned sofa. They seem to be captured during the moment of falling off of it, with their left hand and foot already on the floor. They have multiple tattoos. The image is calm and dynamic at the same time, it portrays the emotions experienced under fat oppression."
Gallery installation showing a wooden crate that features a sound installation. A large vinyl on the wall. Three framed images.
A crocheted landscape with green fields, green and brown circular shapes surrounded by a cream and brown wall. There are star and round shapes in cream, brown and grey. The landscape is surrounded by blue.
This is a picture of Lyall Tighe smiling at the camera surrounded by trees. They are a white non-binary person with short brown hair and green eyes. They are wearing silver hoop earrings, a long dark green coat, a black floral shirt, a white t-shirt, and a green bag.
Indigo, a trans feminine fair skin Latina with long curly brown hair wearing a beige turtle neck top holding a mic and smiling. To the right of Indigo, there's a trans masculine person with short hair and glasses wearing a hoodie and smiling.
An oil painting on linen of a celebratory Boris Johnson riding a donkey holding aloft a glass of champagne and a mobile phone.
Framed drawing in soft pastels of two people sitting on a flight of steps at the entrance to an apartment building. The walls either side are a reddish brick colour and the steps are grey. The man sits on the top step on the right hand side, playing a guitar. The woman sits on the left hand side, slightly further back from the audience. The colours are warm and there is a dreamy, unfocused quality.
Photo of two young white women lying on their fronts, in playful poses.
Textured Lithography print, curved dark red lines
Image shows a close-up of a silhouetted person wearing dark clothing, kneeling in front of an upstanding projection screen and on floor that is covered with reflective material. Their arm is outstretched towards the screen, holding a microphone towards a projection of poetic text.
A pathway leads to a stone archway surrounded by foliage. Light can be seen through the archway. The colour palette is blue and brown and black. The medium is ink and bleach on a canvas board.
A small square made of concrete and plaster with some marks made on it, it is mostly white but there is some yellow coming though from underneath at one part.
An obscured image of a woman (my friend Lilith) sitting under a tree drawing made up of watercolour patches
Digital painting of a tree silhouetted against sunset colours.
A figure with the skull of a horse and a decaying felted body that trails behind it, with one human leg showing, walks across a grassy field with a stone wall in the background.
A tiny sculpture of a grey seal is held between my finger tips. The seal is 4cm long and is crafted from fine cotton sewing thread. This piece forms part of a series of micro-mammals, in which I freehand crocheted one UK mammal a day for seven days.
A man's face with layers of a building behind and differently coloured filters over.
The village of Crovie, perched on the cusp between land and sea
The image shows a brunette female in a colourful jumper talking to a masculine presenting person in a stripy shirt. Between them is a table covered in white paper and art supplies.
A thin, white, papier-mâché half-dome is suspended from the ceiling. On the inside of the dome there are detailed doodles which light shines through. There are red drapes against white walls in the background.
A mixed media painting of a tree with a bronze trunk and teal and bronze leaves on a white and teal layered background
A screenprint of a tired looking woman's face, in pink, blue and purple. Underneath the word's "sleepless beauty" are written in blue, against a light pink background.
Back and white portrait of a white man's head and shoulders, overlaid with a diagonal grid-like pattern.
Hedgehog Christmas Pudding illustration in watercolour that has been digitally printed onto a greetings card.
A painting of a painfully thin white woman, nude, holding up a teddy bear
It is a painting, collage done in the early hours before daybreak. Original thoughts were around oil locked under the sea. With technology shown as a circuit board placed in the piece.
Outside underneath pine trees and upturned roots, one sound artist is in the background wearing a long costume made of hundreds of long strands of white and brown fibres, mimicking the gills and mycelium threads of mushrooms. She is using a microphone and various objects to create sounds which respond to the movements of the Butoh dancer who is bent over, downstage of her, wearing puffy shorts made of the same material.
4 photographs. Top left shows waves hitting against rocks. Top right shows a person lying down holding a camera. Bottom left is a close-up image of embroidered fabric. Bottom right shows a collection of different coloured wool.
A book stood upright and open so you can see the pages. They are painted or collaged.
A book cover featuring a black and white photograph of a brother and sister around the age of 12, standing in the street in a Scottish town. Overlaid in a bold orange font is the title, Only Here, Only Now.
Wheel thrown mug and jug which have a wild clay slip on the surface, the clay used was collected from the river Kelvin in Glasgow and Ayr. In the middle, a decorative disk with expressive markings.
A colourful visual art piece that is wall-mounted. The work is made from small rectangular boxes made of paper prints. On top of this complex shape of small boxes, it has been painted in bright, colourful, undulating shapes.
Image of a digital graphic recording. There is a blue logo for Pimlico Million and a title that reads ‘Pimlico Million Measuring Change’. There is a blue background to the page. There is an orange box on the left and a green box on the right. In the orange box is the title ‘things we have achieved’ and underneath are five drawings with captions describing the achievements depicted. In the green box is a drawing of a salad with the title ‘data collection’. The salad bowl is labelled ‘evidence salad’. Arrows connect each element of the salad to a method of data collection.
A red and black book cover featuring a witchy-looking person wearing a cloak, raising their arms above their head. The title of the book says "Muses No More" by Ùna Maria Blyth.
Background of crumpled white paper, with large, messy marks of bright orange, dark brown and red paint. Small painted text in different areas of the image reads ‘why’ in purple, ‘what is the alternative’ in red, and ‘in out with yes’ in bright green. In a much larger font, letters ‘D Y D’ are written vertically.
In black and white, a dancer pulls an extended and contorted shape in a sparse indoor space.
Dark hair female presenting person sitting down delivering a workshop.
Hand drawn pen illustration of an imaginary city inside a forest. The trees are smiling and little houses, streets and buses can be seen in between them.
A portrait photograph of a white woman with long brown hair, wearing a dark green dress, posing between the bars of a fence. The camera angle is looking up at her and she is looking into the distance.
Square wooden panel painting showing close up of fishing nets and pots in a confusing jumble of crotons patterns.
A papercut collage in shades of grey. The collage is of a thin, androgynous figure, looking worried. They're wearing a sweater and jeans.
A photo of an A3 risoprinted poster, printed on white paper. In the centre of the poster is a hand written large block text in black which reads ‘No One Way Works’. This quote is continued turning around the outside edges of the page, reading ‘It will take all of us shoving at the thing from all sides to bring it down - Diane di Prima.’ Around the central text is a border of 16 illustrations, which have a thin black outline, and are shaded in three shades of bright red. The illustrations are of: a razer blade; a bunch of Rosemary; a vial (like you would use for Oestrogen); a knotted rope; a pair of scissors; a crowbar; a wheatpaste brush; a balaclava; three round pills with smiley faces on; a spray paint can; a needle; a packet of prescription medications; bolt cutters; a lighter; a dildo; and a brick. The poster is on a poster display board in the CCA, glasgow - the wall, an interior window, and the yellow banner of the Scottish Mental Health Arts Festival are out of focus in the background.
The image shows a young woman with glasses, seated on a wooden floor in an attic-like room, surrounded by her artwork. She holds a framed piece featuring a colourful painting of a nude figure, while in front of her is a framed bird painting, a circular artwork with tropical leaves, and a black abstract sculpture. Additional artwork, including a vibrant townscape painting, leans against the wall behind her.
A person wearing black waterproofs and a rucksack is smiling at the camera. They are standing on a grassy hill carrying a pickaxe.
Painting of a stormy sea, with a threatening grey sky
Section of abstract oil painting with soft, natural colours.
A picture of someone walking, bent over, on a stony beach. The water is still and calm. They are wearing a pink jacket and blue jeans and appear to be looking for something.
An illustration of a cat, wearing a Darth Vader helmet, with a dog dressed as an AT-AT walker on a leash
A scale model of a room made of birch plywood situated on a white plinth. A microphone is positioned at the room entrance and there are small machine controlled mallets on three of the four walls.